September 1st, 2004

pod

Big ones small ones ones who'll give you head

I feel like I'm going through a second puberty or something. There are many potential explanations, ranging from increased fitness leading to increased testosterone to the alleviation of depression and increased self-confidence. Whatever the reasons, the result is clear and worrisome. Girls are invading my thoughts like some sort of estrogen-powered invasion and leaving me off balance and reeling. I can control it when I'm at home, alone, or out with friends to focus on. So long as I have something definite to pay attention to, like reading or writing or watching a film, they are kept at bay like the Greeks for the first 9 years of the Trojan war. It's when I'm out and about with nothing particular to think about that they launch their assault, stealing into the citadel of my psyche cloaked in their jiggling flesh and then driving all other thoughts before them in a most distasteful manner.

You're supposed to discover girls when you're around 12 or 13, at least if it is girls that you're going to discover (I don't know the timetable for sodomites. I imagine that it's similar.) I guess I did, in my own way. I started to get erections and notice that the girls were starting to grow breasts and the like and that I did not object to this. I rented movies that had naked women in them and rewound back to those points several times, sometimes even jotting down where on the VCR counter the naked breasts occurred so that I could finish the film and rewind to the earlier part with the boobs, or even better bush. I loved female pubic hair, and to this day a photograph in playboy with a girl whose pubes had been shaved into a downward pointing arrow remains seared into my brain as surely as if it had been put there by a red hot branding iron.

So I discovered girls and then I sort of retreated from that other thing and focused on other pursuits like eating too much and being a pain in the ass. The thing is, as much as I loved pictures of women and films and eventually pornography, I never really looked at girls, at least not in a sexual way. Oh sure, I knew what girls I was attracted to but I would avoid not only eye-contact but any sort of looking (Unless there was a "can't look away" situation like a sliver of panty showing.) There are a bunch of reasons for this, ranging from belief that it was disrespectful to ogle someone who hadn't been paid for the gift to self-esteem problems that ran very deep and wide.

But now the blinders are off, and my eyes are being drawn hither and thither like someone had replaced them with superballs in my sockets. Have you ever tried to check out a girl's backside and two girls racks at the same time without staring at any of them in an obvious manner and avoiding walking into old people and/or cars all at the same time? It ain't easy. When I'm in the park there are the jogging-shorts clad bottoms of young women trying to stay trim, the thin material draped loosely over their posteriors, revealing a story of size and shape as it adjusts ever so slightly with each step. Then there are the girls who don't wear sports-bras, a class of women who bounce and chug as they jog or run and who I like to think of as America's greatest heroes.

It's not just the exercisers, of course. If it was them I could deal with it. Travel through the subway where nobody would dare exercise for fear of breathing in even more of that fetid air than is absolutely necessary. Take to the streets only by night, when the joggers tend to cluster in the parks for fear of being hit by a driver who might not see their day-glo shorts. There are ways of avoiding certain classes of people, and surely if I employed a few of these methods I could evade flouncing shorts and bouncing bosoms. It's all girls, though, like I said. It's the ones in high heeled sandals and tight jeans, their asses high and molded carefully by the clothing combination. The ones in loose blouses, the breeze occasionally peeling back flaps of cloth to offer a tantalizing glimpse at secondary sex characteristics. The girls sitting at restaurant tables and chatting or walking together in pairs possibly being lesbians. It's over stimulation and it's difficult to deal with. The students are returning to the neighborhood and every day and night there's a symphony of female flesh out there on the streets. I step out of the house and in to the middle of a maelstrom.

My mind starts to wander at these times. Yesterday I was out for a nice walk and started to have a sexual fantasy involving multiple partners of various shapes and sizes. Unfortunately the whole thing collapsed due to legal problems stemming from novel child custody arrangements. I ended up as a single father of a few children by different women, all of whom I loved but over whom I felt profound guilt because I couldn't be there full time. I've stated before that I wish that my sexual fantasies were "normal" just a bunch of flesh writhing in a mound of carnal pleasure.

I don't have the mental space for this crap right now. I'm 22, I should be past this already. I have school to apply to and a job now and my own writing and work to do. Who wants hormones racing and constant awareness of all the women who swirl around, spreading pheromones and distracting me from the task at hand with alarming effectiveness. Then there's the fact that I keep getting erections, erections that rub against the looser crotch of my once-tight pants and give that peculiar sort of discomfort that can only be produced by the non-erotic stimulation of a blood-engorged penis. The little guy doesn't understand that just because he sees flouncing buttocks and my mind can produce a reasonable facsimile of what they would look like were they not covered in skirt, it doesn't mean he's going to get at them. I try and tell him "Ask not for whom the breast flesh bounces, it's not for thee" but he's not a good listener. He may have a head, but apparently, no ears. It's a very troubling situation.
  • Current Music
    Dashboard Confessional
pod

And I'm off

Well I'm headed out now. Up and away junior bird man. I am going with a maroon shirt and silver tie with black slacks. Something that says casual but not unprofessional. The stuff's not ironed, and it should be, but what can I do about that now? I'm nervous and excited and all that stuff.

I am having fantasies of doing an incredible job and being promoted to a creative position within a month, and day-nightmares about getting there and being given all kind of work I don't know how to do and being told to leave within a day, or breaking a fragile chair or something. I'm sure it will go somewhere in between those two polls, but we'll see. At the very least it will be grist for the creative mill.

My goal in this job is to make myself indespensible. To do so much so efficiently that the guy can't work without me there, or at least recommends me to a colleague when the short term he mentioned is up. I believe I can do that, or something close to it. I'm excited and confident. I intend to be patient and to offer to do extra work for free so as to gain more experience. I'm throwing myself into this. It's an opportunity, maybe not the one that will lead to what I want (I'll have to see about that) but an important one nonetheless. It's in need of some serious seizing.
  • Current Music
    The Out of Towners
pod

And I'm back

Well my first "day" at work is done. How was it? Interesting. To say that the guy I'm working for is an asshole would be...totally inaccurate. He was really nice and extremely helpful. I got there early, hung around outside the office reading for a bit because I know that he set aside specific time in his schedule to help orient me and I didn't want to interrupt the stuff he had to do before then, and popped in about 5 minutes before we'd agreed on. Coming slightly early is generally the optimal way to arrive for work, because it gives the impression of excellent punctuality without making you seem overeager or impositional. He spent about half an hour running down some of the things he wants me to do, it's a decent mix of the shit work one expects at the bottom and some more interesting/exciting stuff like helping him retrieve trimmed film bits from the editor and delivering finished prints to various film festivals. He did not give me $20 million and ask me to produce a masterful celluloid meditation on the nature of life and youth and love, but that's understandable the first day. I'll give him a couple of weeks.

It seems like he's either not used to having an assistant or he's had crappy ones in the past from the excessively kind treatment he offered when I arrived. For example, he's giving me my own office (at least temporarily) but there were paper scraps and little flecks of dust on the ground. He said to give him 10 minutes to sweep it up and I gently pointed out that sweeping up is generally the sort of thing an assistant does. Likewise when he wanted to have keys made for me (which was nice since I'm really temping at this point) he was going to go to the hardware store himself. Now I don't know, maybe these are things he actually enjoys doing, but when I offered to do them myself he seemed to think that eminently reasonable. I think he was actually pleased when I grabbed the broom and said I'd sweep up myself. His IMDB bio says that he started out sweeping up crumbs for commercial shoots (something I keep reminding myself to make sure that I don't forget that he's PAID his dues already) and perhaps there's some sort of poetic justice in his new assistant starting out by doing some sweeping. During the course of the day I also did faxing, filing, a bit of proofing on some mailing labels, looking up information on the Internet on how to dispose of some old paint cans and a few other things, and started a project trying to follow up on a few pieces of litigation he's involved in (nothing too major or shady, just suing a subcontractor who didn't do satisfactory work and haggling with the phone company over a mistake they made involving his Las Angeles office). None of the work was particularly intellectually challenging but the variety of it meant that I never got bored in the 3.5 hours I was there (approximately a half day for a 9-5 job with a 1 hour lunch break.)

I was tired from staying up all night fretting up today so I was a little out of it today. It took me longer than it should have to look up a check on Quickbooks, and the chemistry wasn't quite there between us because I wasn't clever or quite as attentive as I might have been (Chemistry is important in a business relationship like this, especially since I'm competing with a lot of beautiful women for this kind of position. Many people can fetch stuff from hardware stores and be put on hold by an Indian woman until her computer system crashes, to stand out you have to be good at those things AND a pleasant person to be around. I don't have big breasts to lean over and show (well I do, but I don't think they'd be particularly enticing) so providing a few much-needed laughs over the course of the day seems to be my best bet.) There were a few minor issues. He's something of a neatness freak (which is totally fine by me in a professional environment) and didn't like how I put a label on a folder. Fortunately he's the kind of boss who doesn't bitch you out when you make a minor mistake, nor does he ignore it and grow resentful. He tells you what he wants done clearly and moves on. No apologies no grudges. That's how bosses should be. I also failed to put someone on hold when he was in the room, thinking I could just cover the receiver with my hand and inform him of who it was. He didn't want it done that way. That makes sense, the office I worked at last was a bit less formal and we did that all the time but he wants the person actually put on hold until he decides whether to take the call. Totally reasonable. I'll be answering the phone whenever I'm there, probably because it's a bit of a status thing not to answer your own phone and in this business that kind of thing actually matters. So two mistakes, and not exactly major ones. I will try not to loathe myself over those things all night. Perhaps more serious was the fact that I'm a stander. What I mean by that is that I don't love to sit. Oh I do it, and for hours at a time, of course, but when given the chance I tend to stand up and stretch my legs. I'm a high energy person, getting higher energy as I drop weight, and sitting down can drive me crazy. Then there's the fact that the chair he gave me is not built to support my bulk. I didn't want to point this out since it's a bit of a tricky issue, but I will in a couple of days. I'm sure he doesn't realize how much I weigh, most people estimate about 40-70 lbs lower than what it actually is because I'm built big anyway and the way my clothes hang on my frame it is fairly well disguised. The problem is, I'm a big guy and when I stand I tend to loom. This made him a bit uncomfortable, which is once again quite reasonable. Nobody likes a 6'1" (I think I may be taller than I thought judging from recent comparisons to others and the fact that I haven't measured in like 5 years) guy built something like a linebacker (Or even an O-lineman according to some) looming over them. I sat in the chair the best I could, shifting my weight on to my feet and via my arms on to the desk, which protects the chair but strains my muscles. When I was alone in the office I was standing while I worked, which may have indicated to him that it's just something I do and not meant to be threatening or disrespectful, since he seemed more comfortable with it later on.

As for my assessment of the job, I was right, it's in between the poles. It doesn't look like there'll be many opportunities for creative input in the near future, he's shopping a project around not producing one at present, which is a shame. If something crops up I'll try to show what I can do but I can't exactly just walk in and say "I'm a really smart guy, you should let me write something for you." I would work on punching up some of the promotional materials but until I've seen the film I can't do so and be sure of accuracy. On the business side there's a good deal to learn. Already I've been looking through receipts and accounting, getting an idea of the costs of various things for a film production company. That will be very useful if I decide to self-produce. He showed me a binder with detailed notes on the changes that were made on set to the dialogue and action on each day of the film, I'd really love to get a chance to look through that. I'm seeing some of the festival submission forms and he's talked some about the technical aspects of getting a film printed up. He seems like a guy who's genuinely interested in doing at least a bit of teaching and looking to gage whether I'm there to work AND learn or just to pick up a paycheck. That's good. He'll soon find out, but I don't want to press the issue. If all he wants to do is hand me paperwork to do then I can learn plenty there too. It's all about taking advantage of the opportunities available to me. On day one I learned that when you shoot on multiple film-stocks sometimes the editor can't splice them together into a single negative and he has to process both of them to produce a single print, raising costs. He can create a duplicate negative from them on one stock, but it degrades the quality. This is worth it, though, because then prints are cheaper to produce, which is important when you're not a big budget operation. I wouldn't know that if I'd taken a job doing data entry for a law firm.

Over all I'm quite satisfied. Sure I would have liked to have worked more and of course I would love a chance to show my creative abilities, but this was one day and I earned a few bucks and learned a few things. What more can I expect from my first position? It was also great just to get out of the house and have somewhere to go. The building is located at the intersection of Chinatown and Little Italy, which is a really interesting neighborhood. Just being out there will undoubtably provide some great stimulation for my mind and my artistic endeavors. Solid stuff. Tomorrow I go in around 10:30 and get to wrestle with the Indian woman and the faulty computer once more. Wheee. I will definitely get some sleep tonight. On the way home he had me drop off a print of the film at a festival office on 29th and on my way home I passed Madison Square Garden and saw a lot of people with Bull shit and other neat T-shirts walking by the Republican convention.

GO TEAM!

There, I think that's a decently detailed description of 3.5 hours of work. Any questions?
  • Current Music
    Dashboard Confessional